This week, I Will Never Log Off will hit slightly different. In a normal world, you'd see me delivering yet another multi paragraph comment on why Columbo is the hero we both need and deserve. And don't get me wrong, that one is being loaded up right now, like a cruise ship bartender lining up flammable shots. But while February is still young, I thought I'd send you a list I've been working on.
Instead of reviewing books or movies, I'd like to talk to you about a noble art form, which also happens to be cheap and overlooked. It is a largely neglected field, a still-underrated creative forum for thousands of the world’s most creative people. And it is all of these things, despite the fact that we live in a time where Hollywood is wildly addicted to them. I'm talking about the comic book.
This is my ranking of the greatest comics ever published.
Before moving an inch forward, let's not kid ourselves.
The entire of business of sorting and ranking art is flawed, compromised, and generally sus from the word go.
It is compromised by the compiler, who is biased; it is limited by cultural limits (despite my attempt to be as universal as possible). It is bounded by the author's own notions of what rocks and what is tragically basic. It is compromised by taste (most of my reading was in superhero comics) and by time (note how many of these are written in my lifespan). It is curbed by the biases of the comics industry, which was and is a sexist enterprise that discourages the publication of female-created work. There are hundreds of thousands of comics I have never read, some of which are surely better than what I've listed here. There are comics lost to time and collective memory.
And doubtless, there is a catalog of unconscious biases I'm not privy to--a list of preconceived notions as long as your arm and day are long. But still. It's my list. "A man goes to the movies," Roger Ebert wrote, "The critic must admit that he is this man." He meant that every honest dealer in critical opinion must admit that there is a subjective, non-scientific observer attached to every critic. People like what they like, even when they're observing professionally, and it behooves the critic to admit that.
Every dictionary is a joke. An attempt to capture a moving thing that can never be nailed down. And every ranking list is the same. A proposition which will inevitably be proven false.
The works below are my best guess about what is worth your time--and also what was, frankly, worth the time of the makers. They are not ranked in descending order. I do not believe that "Persepolis" is necessarily better than Hickman's "Fantastic Four." Mostly, the list was written in the order that these occurred to me, or that I picked while reading other lists as reminders. Nevertheless, the fact that some occurred earlier than others is probably telling.
If there's interest, I might go through the entire list, review-by-review. We'll see. Perhaps a series will be called for. And no surprise. This is a world of novels, comics and prestige TV, and thus I've always been of the opinion that the best work is--well--sequential.
The List:
1. Watchmen, Alan Moore and Dave Gibbons
2. From Hell, Alan Moore and Eddie Campbell
3. The Invisibles, Grant Morrison and Various
4. V For Vendetta, Alan Moore and David Lloyd
5. Swamp Thing, Alan Moore and Various
6. All Star Superman, Grant Morrison and Frank Quitely
7. Sandman, Neil Gaiman and Various
8. Preacher, Garth Ennis and Steve Dillon
9. Transmetropolitan, Warren Ellis and Darick Robertson
10. Blankets, Craig Thompson
11. Batman, Grant Morrison and Various
12. Walt & Skeezix/Gasoline Alley, Frank King
13. Krazy Kat, George Herriman
14. Pogo, Walt Kelly
15. Calvin & Hobbes, Bill Watterson
16. Little Nemo (and other strips), Windsor McCay
17. Peanuts, Charles Schulz
18. Maus, Art Spiegelman
19. Duck Comics, Carl Barks
20. Zap Comix stories, R. Crumb
21. Love and Rockets, the Hernandez brothers
22. The Spirit, Will Eisner
23. Prince Valiant, Hal Foster
24. Terry & The Pirates, Milton Caniff
25. Fantastic Four, Jack Kirby and Stan Lee
26. Plastic Man, Jack Cole
27. Captain Marvel, CC Beck
28. Miracleman, Alan Moore and Various
29. Spider-Man, Steve Ditko and Stan Lee
30. Hark a Vagrant, Kate Beaton
31. Bone, Jeff Smith
32. Perry Bible Fellowship, Nicholas Gurewitch
33. Master Race, Bernie Krigstein (& Al Feldstein)
34. Collected Works, Junji Ito
35. Akira, Katsuhiro Otomo
36. Planetary, Warren Ellis and John Cassaday
37. Saga, Brian K. Vaughan and Fiona Staples
38. Hate, Peter Bagge
39. Sin City, Frank Miller
40. Tintin Comics, Herge
41. Lone Wolf and Cub, Kazuo Koike and Goseki Kojima
42. Persepolis, Marjane Satrapi
43. Here, Richard McGuire
44. Nancy, Ernie Bushmiller
45. Achewood, Chris Onstad
46. Homestuck, Andrew Hussie
47. Fourth World Comics, Jack Kirby
48. The Dark Knight Returns, Frank Miller
49. One Piece, Eiichiro Oda
50. Evening Standard cartoons, David Low
51. X-Men, Chris Claremont and John Byrne
52. Berserk, Kentaro Miura
53. Hellboy, Mike Mignola
54. JoJo's Bizarre Adventure, Hirohiko Araki
55. American Splendor, Harvey Pekar
56. God's Man, Lynd Ward
57. EC Comics Weird Science & Weird Fantasy Comics, Various writers and artists
58. The Far Side, Gary Larson
59. Daredevil, Frank Miller run
60. Mort Weisinger's Superman comics, Various writers and artists
61. Starman, James Robinson and Various
62. Dredd Stories, John Wagner and Carlos Ezquerra
63. Hawkeye, Matt Fraction and Jeff Lemire
64. American Flagg!, Howard Chaykin
65. Batman: Year One, Frank Miller and David Mazzucchelli
66. Whatever Happened to the Man of Tomorrow?, Alan Moore and Curt Swan
67. Vagabond, Takehiko Inoue
68. EC Horror Comics, Various writers and artists
69. Promethea, Alan Moore, J. H. Williams III, and Mick Gray
70. Death Note, Tsugumi Ohba and Takeshi Obata
71. Impulse, Mark Waid and Humberto Ramos
72. Hulk, Peter David run
73. New X-Men, Grant Morrison
74. Fables, Bill Willingham and Mark Buckingham
75. A Small Killing, Alan Moore and Oscar Zárate
76. His and Her Circumstances, Masami Tsuda
77. Kingdom Come, Mark Waid and Alex Ross
78. The League of Extraordinary Gentlemen, Alan Moore and Kevin O'Neill
79. Milk & Cheese, Evan Dorkin
80. Corto Maltese comics, Hugo Pratt
81. Dick Tracy, Chester Gould
82. The Mighty Thor, Walt Simonson run
83. 2000 AD Stories, Alan Moore and Various
84. Deadpool, Joe Kelly and Various
85. DC: The New Frontier, Darwyn Cooke
86. Hunter x Hunter, Yoshihiro Togashi
87. Fantastic Four, Jonathan Hickman and Various
88. Nick Fury, Agent of S.H.I.E.L.D., Jim Steranko
89. Understanding Comics, Scott McCloud
90. Scott Pilgrim, Bryan Lee O'Malley
91. The Long Halloween, Jeph Loeb and Tim Sale
92. Attack on Titan, Hajime Isayama
93. New Yorker cartoons, Charles Addams
94. Hard Boiled, Frank Miller and Geof Darrow
95. 20th Century Boys, Naoki Urasawa
96. MAD, Harvey Kurtzman
97. Li'l Abner, Al Capp
98. Washington Post cartoons, Herblock
99. Contract with God, Will Eisner
100. The Airtight Garage, Moebius
A great list. Surprised on some choices, surprised at some omissions.
I would definitely love to read some more essays on some of these comics. I always enjoy reading your thoughts on comics.
A Small Killing is a great comic. The question of how to write an essay about it is a subject for an essay in of itself.
I really do think it's a subjectively perfect comic, and therefore at least tied for Alan Moore's best.
The problem is that what A Small Killing needs, much more than an analysis, is for more people to read it. Although the essay could function as a sort of social proof of that.
This one is good. Although it does spoil the ending, which feels like a shame for something so many people haven't gotten around to yet.
https://reactormag.com/the-great-alan-moore-reread-a-small-killing/
The truth is I'd feel like a fraud writing about when I haven't read Lolita (the favorite novel of the protagonist).